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Camera Operator + RED Scarlet-W 5K Camera (Half Day - up to 5 hours)

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Camera Operator + RED Scarlet-W 5K Camera (Half Day - up to 5 hours)
1 Hour: $300.00 + $220.00/Hour  

Next Available Date: 28/05/2018
Package includes for HALF DAY (= up to 4 hours):

- Camera Operator

- Scarlet-Weapon Base I/O V-Lock Package with 3 Pack OLPF
- 1x120GB RED Mini-Mag
- 1x512GB Red Mini-Mag
- RED Mini-Mag Reader USB 3.1
- DSMC2 RED Touch Display (POGO Mount)
- DSMC2 Side Handle
- DSMC AC POWER ADAPTOR
- 2x PAG V-Mount Batteries

- Canon EF 16-35mm f4 L IS USM Lens

- Edelkrone Modula 7 (With Geared Follow Focus
- WC Magic Arm (11')
- RED Male POGO To Female POGO LCD/EVF Cable (24', Weapon/Epic-w/Scarlet-W/Raven)

- WC Wrench Set (Star)
- WC Wrench Set (Standard)

Additional equipment must be supplied by yourselves or can be hired at additional cost (lights/lenses etc)
$0.00
Pricing:
1 Hour: $300.00 + $220.00/Hour  

Next Available Date: 28/05/2018

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Description

Details

SCARLET-W 5K

SENSOR

SENSOR TYPE RED DRAGON 13.8 MP Super 35 mm CMOS
EFFECTIVE PIXELS 5120 x 2700
SENSOR SIZE 25.6 mm x 13.5 mm (Diagonal: 28.9 mm)
DYNAMIC RANGE 16.5+ stops



RECORDING

MAX DATA RATES Up to 170 MB/s using RED MINI-MAG
MAX FRAME RATES1 50 fps at 5K Full Format (5120 x 2700), 60 fps at 5K 2.4:1 (5120 x 2160) 
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
PLAYBACK FRAME RATES 
(PROJECT TIMEBASE)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS 
RANGE FROM 2:1 UP TO 22:11
4:1 REDCODE for 5K Full Format (5120 x 2700) at 24 fps 
7:1 REDCODE for 5K Full Format (5120 x 2700) at 50 fps 
3:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps 
6:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
REDCODE RAW 
ACQUISITION FORMATS2
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps 
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 60 fps
AVID CODECS3 DNxHR SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps 
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps
TYPICAL MAX RECORDING TIME 
USING RED MINI-MAG 120GB5
5K Full Format (5120 x 2700) at 24 fps and 11:1 REDCODE: 41 minutes 
5K Full Format (5120 x 2700) at 48 fps and 14:1 REDCODE: 26 minutes 
4.5K 2.4:1 (4608 x 1944) at 120 fps and 15:1 REDCODE: 17 minutes
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